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Re: C-12 and big hands

Author: Chris P
Date: 2007-09-16 20:02

"I am quite surprised that more people aren't looking for these!"

The reason is most likely they're only available in Bb whereas the E11 and E13 below it and R13 etc. above it are available in both Bb and A for anyone wanting to get into orchestral playing, and most players starting on a B12 will often go for the E11 or E13 as the next step up, and then go to a R13 or RC after that. The C12 is in a rather neither here nor there place in the lineup, even though it may be a great instrument.

The C12 is often overlooked as most players would want to go straight from an intermediate clarinet (E11 or E13) to a pro one rather than getting a C12 in between, and not being able to have a matching A wouldn't appeal to an aspiring orchestral player (though the C12 A if there ever was one may not be all that much different to an E13 A).

But if anyone wants a good quality clarinet and doesn't need an A, and can't justify buying a pro model for whatever reason, then if they like the C12 in what it does, then there's no reason not to get one. If the price is right, that's even better.

I originally read the thread title as "C-12 and big bands" (as it was past my bedtime) - and big band players and arrangers generally tend to play or write for Bb clarinet when clarinets are needed, and the C12 being in Bb only will fit in well for a doubler who may not feel the need for an R13 and something better than a basic student model.

Former oboe finisher
Howarth of London
1998 - 2010

Independent Woodwind Repairer
Single and Double Reed Specialist
Oboes, Clarinets and Saxes

NOT A MEMBER OF N.A.M.I.R.

The opinions I express are my own.

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