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 Barrels and intonation
Author: Saxguy007 
Date:   2006-03-24 13:53

Dear all,

I am a sax player who has historically doubled on clarinet because he has to. Back in 1993 I bought used a Buffet R-13 that my instructor (Brian Grivna, formerly of the Minnesota Orchestra and Buddy Rich Band) found for me that struck him as a decent specimen. At his recommendation, I got a Hite Premiere piece to get started, and I have basically used that setup since.

I find that in order not to be flat with my setup, I have to use 4-strength reeds, and the mouthpiece, barrel, and upper bore (well, basically the whole instrument) has to be touching FLUSH, with nothing pulled out. I have never been sharp with this instrument.

I recently got a JodyJazz Classic mouthpiece in the 6 facing for my R-13 in hopes that a jazz piece could enable me to be a bit more expressive, and enjoy playing the instrument more. I love Eddie Daniels' jazz work, and could listen to his clarinet sound all day. The jodyjazz sax pieces I own for tenor and bari sax are fantastic, so I thought I'd give his clarinet piece a try.

The facing on the JodyJazz 6 is .060, whereas the Vandoren B45 is only .046. Therefore, using a 4 reed on it was not successful. Even the vandoren 3 I had was unacceptably airy. I had a box of 2.5's a coworker had given me when her daughter quit playing, and when I put one on, the sound was fantastic! The notes popped out full, phat, and woody, and I was bending and scooping with glee. For the first time since I bought the instrument, it was not fighting me.

As you can imagine, tho, with that thin a reed, the instrument was flat- not only globally, but the clarion register was flat compared to the lower register.

I am hoping that maybe some other reed specimens in a 3 might be just hard enough to get the upper register more in tune, but not so stiff as to add airiness. I doubt this will be enough tho.

I am wondering if maybe the barrel that came with it was too long, and if purchasing a shorter barrel, or an adjustable click barrel would solve my problem. In nosing around the internet, what few reviews of the locking CLICK barrel suggest that it is a cheap work-around that impairs the tone quality of the instrument. Have some of you found this to be true?

Is there a variant of wood barrels I could try in a short length? How do I measure the barrel I have, from outer rim to outer rim? Would I need a caliper to accurately measure it- or would the length be stamped somewhere on the barrel itself?

I would be grateful for any suggestions as to whether a new barrel might help me pull the instrument up to pitch, and if so, what barrel sculpt/design lends itself to a fat New Orleans-ish sound.

If I could solve this intonation problem, for the first time, I could play the clarinet and really love it!

Thanks,

Jim Bjork

www.jamesbjork.com

When vivisecting cats, remember: earplugs are cheaper than anaesthetics!

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 Topics Author  Date
 Barrels and intonation  new
Saxguy007 2006-03-24 13:53 
 Re: Barrels and intonation  new
Brenda Siewert 2006-03-24 14:34 
 Re: Barrels and intonation  new
EEBaum 2006-03-24 17:50 
 Re: Barrels and intonation  new
Saxguy007 2006-03-24 18:40 
 Re: Barrels and intonation  new
EEBaum 2006-03-24 19:05 
 Re: Barrels and intonation  new
Ken Mills 2006-03-24 22:16 
 Re: Barrels and intonation  new
Alseg 2006-03-24 22:33 
 Re: Barrels and intonation  new
Ed 2006-03-24 23:22 
 Re: Barrels and intonation  new
Grabnerwg 2006-03-25 20:54 
 Re: Barrels and intonation  new
Saxguy007 2006-03-29 13:18 


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