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    | Author: Bob Phillips Date:   2006-02-28 22:48
 
 For many years I played many arpeggios using the T XOO|XOO fingering for bottom line Eb (Eb4).
 
 Recently, it was pointed out to me that that fingering is very sharp.  On my Buffet the 1-1 fingering for high altissimo Bb is good.
 
 Has something happened to my horn to foul up this very useful auxilliary Eb, or am I just numb and have been playing out of tune all these years?
 
 Is the 1-1 useless on all Buffets?
 
 Bob Phillips
 
 
 
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    | Author: DezzaG Date:   2006-02-28 23:46
 
 1+1 is never a good option for eflat(on any clarinet). It is very sharp, I reckon you have always been playing it out of tune. Sorry!
 
 
 
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    | Author: musicman83 Date:   2006-03-01 03:15
 
 The 1-1 fingering is notoriously sharp, however it can be very useful when it is difficult to use the other fingerings.  I play a R-13 that is a few years old and this fingering is indeed extremly sharp for both the Eb and the Bb unless I lip it down.  I use it most of the time when playing arpeggio studies in the Baerman vol. 3 but would never use it where the intonation would be noticable.
 
 
 
 
 
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    | Author: Bassie Date:   2006-03-01 06:43
 
 Mine's fine, but the Bb is slightly flat (Selmer Prologue). Hmm, a *narrow* twelfth! The Bb plays more in tune with 1-2. This swapping fingers between registers comes naturally after a while, just like playing in C major.
 
 Going further up, the altissimo G and C speak remarkably well. Just goes to show how different manufacturers make different trade-offs, I guess.
 
 
 
 Post Edited (2006-03-01 06:53)
 
 
 
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    | Author: David Peacham Date:   2006-03-01 08:15
 
 My Eb is so sharp as to be unusable except at speed.
 
 My Bb is a bit flat, I normally play it as 1-2 rather than 1-1, or as 1-1+RHsliver.
 
 -----------
 
 If there are so many people on this board unwilling or unable to have a civil and balanced discussion about important issues, then I shan't bother to post here any more.
 
 To the great relief of many of you, no doubt.
 
 
 
 
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    | Author: Chris P Date:   2006-03-01 10:14
 
 It's never a good note in the lower register, but I do use it and lip it down.
 
 But as I use full Boehms I can use the forked Eb (xox|ooo) as an alternative where using the side key is impractical.
 
 
 
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    | Author: Don Berger Date:   2006-03-01 13:17
 
 Happily, on both my Alto and Bass, the 1 and 1 plays well in tune. On some sops, a bit of pad rise adjustment has improved their 1 and 1 without noticeably changing the pitch of adjacent notes. Try it,  Don
 
 Thanx, Mark, Don
 
 
 
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    | Author: Chris P Date:   2006-03-01 14:00
 
 But you can always put more RH fingers down to flatten the long Eb - xoo|xxo or xoo|xxxAb/Eb - but only if it will allow that without being stuffy.
 
 
 
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    | Author: Bob Phillips Date:   2006-03-01 16:06
 
 Thanks, folks.
 
 BTW: I love my Full Boehm alternate Eb/Bb fingered as shown by Chris P above with the G# pinky key down.
 
 Bob Phillips
 
 
 
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    | Author: Chris P Date:   2006-03-01 17:50
 
 It makes the semiquaver F#-C-Eb-C G-C-Eb-C Ab-C-Eb-C G-C-Eb-C passage in Weber's Concerto #1 (Rondo - between bars 260 and 270) an absolute doddle using the forked Eb (xox|ooo) fingering.
 
 
 
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