 The Clarinet BBoard
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Author: lakebass
Date: 2004-06-30 22:11
Would anyone happen to know the instrumentation for the reed books for "Sound of Music"?
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Author: woodwind650
Date: 2004-06-30 22:47
the standard books call for 2 clarinets, 2 flutes w/2nd flute doubling on picc. 1 bassoon and 1 oboe. the most recent Broadway tour also called for recorders in one of the flute chairs as well.
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Author: lakebass
Date: 2004-07-01 00:09
Thanks for the quick reply. Was hoping there would be a bass clarinet part.
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Author: cigleris
Date: 2004-07-01 12:17
it's the most boring musical in the world to play, take a good book.
Peter Cigleris
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Author: Don Berger
Date: 2004-07-01 13:28
Its been quite a while since I last played S of M, but as I recall, in our orchestration, Reed 2 and 3?? [or 3 and 4] Clar 1 and 2 were in one book, all cl. I did play oboe at times, in the "Goodbye" scenes, [Reed 2 ?] I believe, there were flute parts Reed1?] and prob bass cl in Reed 4 or 5? GBK, is there a website for this which may list insts/orchestrations ?, for this ? . Yes, Peter, once you know the story, its a bit boring, too sweet? ! TKS, Don
Thanx, Mark, Don
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Author: Terry Stibal
Date: 2004-07-01 14:49
There's no bass clarinet in the arrangements sent from the rights holder, just two clarinet, two flute/piccolo double, bassoon, oboe. The clarinet parts are largely written in third or fifth harmony, with few exposed solos for the Number 1.
There is precisely one "traditional musical tune" in the thing, a duet between the ex-U Boat commanding Baron and his soon to be former fiancee. All of the rest is either religious based, syrupy songs for Maria, or drama type numbers that advance the story.
I've done it twice (Number 1 Clarinet both times; none of the usual suspects were willing to take it on at the time so that should tell you something), and I'd pass it off to a good student before I'd do it again. It's just that boring...
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Author: John J. Moses
Date: 2004-07-01 18:37
"it's the most boring musical in the world to play, take a good book.
Peter Cigleris"
Interesting comment, Peter?
I've played "Sound of Music" on Broadway many times, and found it to be very joyful and uplifting. I hope no future Broadway contractors read your comments. It may cost you a job in the years to come.
Good luck with whatever you choose to do,
JJM
Légère Artist
Clark W. Fobes Artist
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Author: Don Berger
Date: 2004-07-01 18:49
TKS, GBK, I knew you would know where it was, should answer dern-near any ?'s. Enjoyed the "boring" comments. Good Show! Don
Thanx, Mark, Don
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Author: Don Berger
Date: 2004-07-01 22:03
Yup, GBK, saw it, and wondered, is our OLD musicals orch's future "winnowing-down" to a "precious few", to one synth, or "virtually" none!!! I'm usually in favor of innovations/inventions, BUT at least, not here. Maybe my "resistance to changing" is increasing with my age ! Don
Thanx, Mark, Don
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Author: cigleris
Date: 2004-07-02 13:02
John I don't think i'll be booked to work on Broadway as I live in London, and it hasn't been on at the West End for years. It's not like playing Fiddler on the Roof (1st clt) is it.
Peter Cigleris
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Author: msloss
Date: 2004-07-02 13:36
Peter, JJM's advice is sage regardless of where you hail from. You never know who reads your comments or might overhear a conversation. A loose tongue can cost you paying work regardless of how talented you are. John is one of the premier Broadway musicians, and frequently appears with the New York Phil and the Met Opera orchestra. I would very much want to be on his list of good players with positive attitudes when he calls for a sub or makes a referral to a contractor. I'm quite sure there are equivalents working the West End theatres (where the Sound of Music could potentially see a revival), and some may read this board.
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Author: John J. Moses
Date: 2004-07-02 13:55
Peter Cigleris, not to belabor a point, but our friend, Mark Sloss, says more clearly what many of us are thinking. It is better to make friends in our small musical world, than let our tongues wag with negative thoughts.
I worked in London many years ago with the Royal Philharmonic. Dorati was the quest conductor at the time, and he was not speaking politely to some of the musicians, so Peter Howes (sp?), the Bass Clarinetist asked him, at the "interval," to please refrain from such rude comments.
Many US/NYC musicians work in your wonderful city, and many great UK musicians are currently working on Broadway, and other NYC venues. We all try to be polite and respectful of each other...and the music.
Enough said.
JJM
Légère Artist
Clark W. Fobes Artist
Post Edited (2004-07-03 14:34)
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Author: cigleris
Date: 2004-07-03 13:53
I understand what you are all saying, i made that comment because of my own professional experience with the show, and having been subjected to the film nearly every christmas as a kid. The comment wasn't meant to be disrespectful. British sense of humour and irony,you need it in our profession. I have an extemly positive attitude and would gladly do the show again. Sorry for the bad impression.
Peter Cigleris
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Author: Mark Charette
Date: 2004-07-03 14:09
cigleris wrote:
> I understand what you are all saying, i made that comment
> because of my own professional experience with the show, and
> having been subjected to the film nearly every christmas as a
> kid.
Kind of like when I was a kid playing in hotel bands:
"Can you play Stairway to Heaven?"
![[grin]](http://test.woodwind.org/clarinet/BBoard/smileys/smilie5.gif)
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Author: John J. Moses
Date: 2004-07-03 14:14
Peter Cigleris:
I appreciate your attitude, and love the "dry" British sense of humor. Peter, we are definitely now on the same page. Keep up that "extremely positive attitude" and you will succeed in the UK, and over here as well.
I've learned over the years, that playing well is only a small part of it. You've learned another part of the larger picture of being a truly great musician. It's a wonderful profession, welcome aboard!
Have a good summer,
JJM
Légère Artist
Clark W. Fobes Artist
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