Woodwind.OrgThe Clarinet BBoardThe C4 standard

 
  BBoard Equipment Study Resources Music General    
 
 New Topic  |  Go to Top  |  Go to Topic  |  Search  |  Help/Rules  |  Smileys/Notes  |  Log In   Previous Message  |  Next Message 
 Re: Again, the R-13 Identification Subject
Author: jim S. 
Date:   2003-04-03 18:54

Reversed cones were around, perhaps, because Moennig knew all about the concept from his early training in Germany and Selmer was using it. I understand the device was used in bassoons and in unfraised Selmers of the 1930's. But I didn't know that Buffet was using the device in 1951 on their clarinets, which have been thought of as "pre R-13".

Your (Mark's) comment prompted me to go back to Gibson's "Clarinet Acoustics" to see what I could find. He has always said that Caree's poly-cylinrical bore design began in 1950 or '51. I don't know whether he had contacts at the factory that gave him this information, but he was a great measurer of instruments and probably confirmed his statements, at least, with measurements of instruments he had in his hands. In his book, (p. 32) Gibson describes the Caree bore as being cylindrical in the barrel. In his table on p.38 he shows the Caree bore (treated as constant, post-1950) as being reduced by .03" in the barrel to 14.92 at the bottom. I believe this converts to .587" at the bottom using the conversion factor of 25.41. Though this indicates a small reversal in the dimensions, it hardly meets the definition of "reversed cone", since Moennig's dimensions are .589" at the top and .580" at the bottom. It looks to me as though, in my 1951 Buffet, Caree was already experimenting with the bore, defined as beginning with the top of the barrel. My clarinet, if I have measured it correctly, looks like it began as a classic R-13 in the LH bore and has warped a bit at the top of the section. The really strange thing, though, is the fact that it seems to have a classic Moennig-style reversed cone barrel. The barrel is definitely the original. I think it was part of Caree's on-going experimentation at this early stage in the development of the R-13 design, and a feature that he ultimately rejected. Just a theory, and another reason to call for more practical measurements from the field.

 Reply To Message  |  Avail. Forums  |  Flat View   Newer Topic  |  Older Topic 

 Topics Author  Date
 Again, the R-13 Identification Subject  new
jim S. 2003-04-03 16:44 
 Re: Again, the R-13 Identification Subject  new
Mark Charette 2003-04-03 17:14 
 Re: Again, the R-13 Identification Subject  new
Mark P. Jasuta 2003-04-03 18:48 
 Re: Again, the R-13 Identification Subject  
jim S. 2003-04-03 18:54 
 Re: Again, the R-13 Identification Subject  new
Ken Shaw 2003-04-03 19:37 
 Re: Again, the R-13 Identification Subject  new
jim S. 2003-04-04 17:49 


 Avail. Forums  |  Need a Login? Register Here 
 User Login
 User Name:
 Password:
 Remember my login:
   
 Forgot Your Password?
Enter your email address or user name below and a new password will be sent to the email address associated with your profile.
Search Woodwind.Org

Sheet Music Plus Featured Sale

The Clarinet Pages
For Sale
Put your ads for items you'd like to sell here. Free! Please, no more than two at a time - ads removed after two weeks.

 
     Copyright © Woodwind.Org, Inc. All Rights Reserved    Privacy Policy    Contact charette@woodwind.org