The Clarinet BBoard
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Author: SamKaestner
Date: 2011-04-05 14:07
I came up with a new (or at least new to me) embouchure exercise. Let me know what you think. http://bit.ly/f4DW62
--Sam
Sam Kaestner
West Point Band Clarinetist
www.samkaestner.com
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Author: Tobin
Date: 2011-04-05 14:49
Hi Sam,
Interestingly enough I have been working on the same type of exercise, in which I stop the clarinet by placing a rubber plug from a hand basin into the bell of the clarinet and finger low E.
I have been concentrating on the same concepts as well as tonguing with some positive success.
I came upon the idea after teaching a high school student of David Shifrin's while at Virginia Tech this past fall. The stopping of the clarinet and allows a perfect non-variable back pressure during which you can more easily "watch" the fundamentals in play during performing.
James Tobin
Gnothi Seauton
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Author: SamKaestner
Date: 2011-04-06 22:30
Thanks David!
I'm glad you like it.
Sam Kaestner
West Point Band Clarinetist
www.samkaestner.com
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Author: Ed Palanker
Date: 2011-04-07 15:58
Sam, it is interesting but I've never really thought it necessary to "exercise" one's embouchure if a person warms up properly. Of course, that depends on one's needs. I've never had an embouchure problem myself and as you know, encouraged my students to warm up with some slow scales, 12th, long tones of some sort etc. Also, I've always believed that you can get a warmer tone using more lower lip over your teeth to cushion the tone but I also know that is an individual thing depending on the thickness of one's lip and the lower teeth size and formation. I play with my lower lip placed on my teeth at the point where to pink and flesh color meet, which is the thinner and therefore most sensitive part of the lower lip. For me it works great, especially going from clarinet to bass all the time. I know that does not work best for everyone. People need to experiment to find the best position for them. ESP http://eddiesclarinet.com
PS. I was Sams undergraduate clarinet teacher.
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