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Re: Italian Clarinetists Today

Author: seabreeze
Date: 2020-02-08 19:38

To get a true historical feeling for what the reed up embouchure was, you would need to visualize someone like Martin Frost or Sabine Meyer playing that way today, at the height of their powers and in their best form. Ernesto Cavallini was the Martin Frost of his day, master of circular breathing and multiple tonguing and wowing audiences internationally with his dazzling skill. The early professors at the Paris Conservatory, also known for their voluble technique, played that way. The reed up position was not a sign of ignorance (the players didn't have the mouthpiece "upside down"), regional insularity, or maladroitness; it was compatible with the highest possible skills and the best players in that tradition sparked wonder and envy in their audiences.

Post Edited (2020-12-16 00:26)

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