 The Clarinet BBoard
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Author: ruben
Date: 2019-10-22 21:19
As we all know, you have a reed that works fine in your living-room and then you get to the concert- hall or church you'll be playing in and it sounds terrible. Personally, my method is purely empirical: a half-dozen reeds liable to sound good and then trying them out when I get to the venue. Is there a more rational way of doing it? -a type of reed for a resonant hall, for one with dry acoustics, etc.?
rubengreenbergparisfrance@gmail.com
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matching reeds to acoustics new |
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ruben |
2019-10-22 21:19 |
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Paul Aviles |
2019-10-22 23:00 |
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Caroline Smale |
2019-10-22 23:28 |
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Bob Bernardo |
2019-10-23 07:55 |
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Tom H |
2019-10-24 08:06 |
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ruben |
2019-10-24 12:54 |
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Paul Aviles |
2019-10-24 17:07 |
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The Clarinet Pages
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