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Re: Klose turn

Author: kdk ★2017
Date: 2015-09-18 23:38

This is about the Daily Studies at the beginning of the second Klose volume, which feature diatonic scales, arpeggios - major and minor, dominant sevenths, diminished sevenths - thirds and chromatics. Yes, Klose marks a breath after the first note (the tonic eighth-note) at the beginning of each new scale. (And my teachers always taught me to observe those breaths, one of them even marking them larger in red ink to make sure I didn't miss them.) Those are clear, unambiguous breaths and Stein is right about their meaning (whether or not all players agree with his insistence on every one of them).

The ones I questioned are in the Fifteen Grand Duets farther back in Book 2 (if you have a Klose edition that's divided into 2 volumes). I included a graphic of one example in my original post. If you look at them you'll see that they aren't the same thing as the markings in the Daily Studies.

Karl

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Klose turn new

kdk

2015-04-14 04:44