The Clarinet BBoard
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Author: Lelia Loban ★2017
Date: 2014-02-04 17:47
>Lelia, most composers would mark such structurally significant modulations with new key signatures.
>
Maybe most composers *should* do that, but many follow the old rule that the key signature for the movement is the key in which the movement ends. There will be key signature changes along with way, but in baroque and ealy classical music, the signature at the beginning of a middle or final movement is often at odds with the first few bars of that movement.
Lelia
http://www.scoreexchange.com/profiles/Lelia_Loban
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Post Edited (2014-02-04 17:56)
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Vrat |
2014-02-02 19:20 |
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Chris P |
2014-02-02 20:56 |
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Vrat |
2014-02-02 21:42 |
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Paul Aviles |
2014-02-02 16:43 |
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Bruno |
2014-02-03 01:15 |
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Wes |
2014-02-02 21:58 |
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ned |
2014-02-03 03:40 |
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kilo |
2014-02-03 08:35 |
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Lelia Loban |
2014-02-03 13:54 |
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brycon |
2014-02-03 19:45 |
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Chris P |
2014-02-03 20:09 |
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kilo |
2014-02-03 18:12 |
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Bruno |
2014-02-04 02:23 |
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Lelia Loban |
2014-02-04 17:47 |
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brycon |
2014-02-05 03:43 |
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fskelley |
2014-02-09 04:21 |
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Merlin_Williams |
2014-02-10 01:29 |
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