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 Re: Tonal variations from one day to the next
Author: NBeaty 
Date:   2010-11-07 22:46

Hey Paul, (It's Nathan btw, but you'd have no way of knowing that!=) )

Thanks for further clarification. On this topic, keeping it simple is not as clear as we would like as far as what actually happens with the body and what we should be thinking of regarding breathing.

Testament to this complexity is that you can have very poor air support while having your abdomen be very actively pressing. You can also have great air support with your abdomen pushing out.

Most wind players, especially those dealing with medium to high pressures (clarinets\oboes respectively) have some degree of unnecessary tightness in their chest\throat. Many times with students who have low tongue position or too much "space" open inside their mouth will have this problem in an attempt to focus their air.

Many clarinetists today use reeds\equipment which necessitates a higher pressure. Blowing on "boards" in the 4-5 range will make a player use a higher pressure of air just to make the reed vibrate. Tension in the chest and throat often accompanies this as well to "bear down" on an unresponsive setup.

Clarinetists are lucky that we can get by with a setup\instrument that have medium to medium low pressure and resistance. This is why it is so easy to do a niente diminuendo on clarinet with minimal effort.

In general, I don't find abdomen pressure to be very affective when discussing breathing. What I think, and have been taught by private teachers as well as a graduate seminar on breathing for musicians, is that a fast stream of air, somewhat expanded ribcage, relaxed chest and throat, and resisting the abdomen's natural willingness to collapse.

Embouchure is also a important, as it is the "end of the hose" in the hose analogy for breathing and has an affect on other aspects.

I'm a strong advocate for a setup that is conducive to efficiency...a topic for another day and another thread.

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 Topics Author  Date
 Tonal variations from one day to the next  new
karlbonner82 2010-11-05 07:30 
 Re: Tonal variations from one day to the next  new
tictactux 2010-11-05 07:52 
 Re: Tonal variations from one day to the next  new
Plonk 2010-11-05 08:28 
 Re: Tonal variations from one day to the next  new
Paul Aviles 2010-11-05 09:38 
 Re: Tonal variations from one day to the next  new
Lelia Loban 2010-11-05 14:20 
 Re: Tonal variations from one day to the next  new
Ken Shaw 2010-11-05 15:05 
 Re: Tonal variations from one day to the next  new
NBeaty 2010-11-05 22:04 
 Re: Tonal variations from one day to the next  new
kdk 2010-11-06 14:18 
 Re: Tonal variations from one day to the next  new
pewd 2010-11-06 14:54 
 Re: Tonal variations from one day to the next  new
Joseph Brenner, Jr. 2010-11-06 19:52 
 Re: Tonal variations from one day to the next  new
Paul Aviles 2010-11-06 20:10 
 Re: Tonal variations from one day to the next  new
NBeaty 2010-11-07 20:13 
 Re: Tonal variations from one day to the next  new
Paul Aviles 2010-11-07 21:53 
 Re: Tonal variations from one day to the next  
NBeaty 2010-11-07 22:46 


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