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Author: Menendez
Date: 2008-05-25 22:45
Well,
I listened video from Fuchs playing Rondo of Mozart Clarinet Concert and i not hear sharp B and C. And much less very sharp...
I want to say that when one clarinetist changes to Wurlitzer RB has two problems, apart of inherent issues in intonation of this instruments:
1) When you play with a French clarinet you do little changes in your embochure to correct picth and over all, control the sound. After a lot of years playing Buffets, you do those changes unconsciously while you are playing. When you change to Wurlitzer you play like if you were with a Buffet, and that affects negatively. You need a lot of years and hours of study to re-educate your embochure, and over all, your mind.
2) After a lot of years playing a Buffet, your ear is accustomed to his pitch.
Two weeks ago, i was with an expert Buffet repairman, because I want to overhaul my 15 years old Buffet Bb and to re-plate it, etc. We were talking about Wurlitzers RB and he said me he felt much respect for Wurlitzers. Also, he said me maybe the Buffets are not good in intonation, but our ears are too much accustomed to his intonation. He recommended me to play with Wurlitzer mouthpiece too; he compared Wurlitzers with a German car like Mercedes or Porsche, and Buffets with a Korean car like Daewoo. He said that while you have in a Wurlitzer all good components made by them (MP, barrel, the best pads, old high quality wood, one micron more of plate in the alloy than Buffets, etc...), in French clarinetes you have to choose mouthpieces from another manufacturers, barrels, pads, etc... to achieve a good result. You must to spend a lot of time too to find a good Buffet, Selmer, Yamaha, etc... If you can find it, because this repairman told me what currently Buffet, for example, works with wood dried for 6 months only. This last its the reason why i send my Buffet to do a good overhaul. My Buffet was made with several years old wood, and it sounds very good with a Vandoren M15 or Nagamatsu Wiener Model, and a Moennig R13 barrel.
In connection with the latter i said, all Mr Leister says about French clarinets is true. All you need is a singular Buffet well preset and worked correctly, a good MP, ligature, barrel and reeds, and you can sound similar to a German clarinet.
Thanks very much to Tom Henson for his very interesting posts. I am agree with him (now that i am several months working on Wurlitzers) that sound is very different in the origin than the audition is... and pitch too. I am agree that to be in center of the tuner does not mean to sound in tune. Do you know how a pianoforte is tuned? At center in medium register, little flat in low notes, more flat when more lower notes, and little sharp in high notes, more sharp when you go higher.
Maybe you can pay attention to the book "Praktische Intonationslehre
für Instrumentalisten und Sänger" from Doris Geller. This book comes with a CD with samples and you can check that the same note, played into
different chords, sounds flat or sharp. It is very curious!
Post Edited (2008-05-25 22:58)
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Menendez |
2008-01-28 23:29 |
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Iceland clarinet |
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skygardener |
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crnichols |
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skygardener |
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Re: Problems with intonation in Wurlitzer Reform Boehm new |
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Menendez |
2008-05-25 22:45 |
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