Author: David Spiegelthal ★2017
Date: 2004-04-16 17:05
A lot of it is familiarity with the horn, especially the intonation control --- I'm a bass clarinetist who doubles on the higher instruments (the reverse of most players) so just about anything is easier for me on bass than it would be on soprano clarinet, and the Gershwin piece wasn't a problem. But if I were to attempt, say, the Nielsen Concerto on soprano clarinet, you'd have to carry me away on a stretcher.
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