Woodwind.OrgThe Fingering ForumThe C4 standard

 
 
 New Topic  |  Go to Top  |  Go to Topic  |  Search  |  Help/Rules  |  Smileys/Notes  |  Log In   Newer Topic  |  Older Topic 
 A flute-related question
Author: Musical Mind 
Date:   2004-01-19 17:47

Is it bad to inflate cheeks while playing the flute? I tended to do that and I think it is bad. What do you think?

Reply To Message
 
 RE: A flute-related question
Author: ~Heather ~ 
Date:   2004-01-20 02:36

I don't think you should inflate your cheeks. *thinks* How do you inflate your cheeks while playing your flute, because I can't do it?

Reply To Message
 
 RE: A flute-related question
Author: Amanda 
Date:   2004-01-20 21:06

For a correct flute embouchure, the sides of your lips should be pulled as far back as possible to get a clearer tone. (Notice how the lips are thinner as they are stretched to the sides. This makes the sound more pure and less fuzzy.) When your lips are pulled back, it is impossible puff out your cheeks.

Reply To Message
 
 RE: A flute-related question
Author: Steven King 
Date:   2004-01-23 01:44

Sorry amanda but I am sure you are wrong about pulling the corners of your lips back. My teacher just told me that u should keep your lips relaxed and puched forward.

Reply To Message
 
 RE: A flute-related question
Author: Heather 
Date:   2004-01-26 01:50

Steven is right! You want to push your embouchure foreward for higher notes. Puffing your cheeks helps make the note not sound as shrill. It is completely acceptable to pull back, but it is more professional to push your embouchure foreward.

Reply To Message
 
 RE: A flute-related question
Author: Amanda 
Date:   2004-01-28 04:03

Sorry, I'm sticking to my response on this one, but maybe I should clarify. Pull the sides of your lips back while keeping the middle of your lips and the majority of your cheeks relaxed. Trust me (and my professor) in saying you can more easily control your airstream this way. Your tone will be clearer and your lips more flexible to tune correctly.

Reply To Message
 
 RE: A flute-related question
Author: Mark Lammas 
Date:   2004-02-15 16:05

Inflating the cheeks moves the source of wind pressure to an inefficient and less easily controllable spot, namely within the mouth area, from its correct position at the diaphragm in the stomach area. Breath in by expanding the diaphragm, which draws in air to the whole of the lungs, without the need to move those heavy chest/rib bones up and down. Expel the air to the flute using diaphragm pressure, without constricting the throat. That way, you have an unimpeded air supply from the whole volume of the lungs, instead of a small air supply from the mouth and throat area only.

Reply To Message
 Avail. Forums  |  Threaded View   Newer Topic  |  Older Topic 


 Avail. Forums  |  Need a Login? Register Here 
 User Login
 User Name:
 Password:
 Remember my login:
   
 Forgot Your Password?
Enter your email address or user name below and a new password will be sent to the email address associated with your profile.
Search Woodwind.Org

Sheet Music Plus Featured Sale

The Clarinet Pages
For Sale
Put your ads for items you'd like to sell here. Free! Please, no more than two at a time - ads removed after two weeks.

 
     Copyright © Woodwind.Org, Inc. All Rights Reserved    Privacy Policy    Contact charette@woodwind.org