Woodwind.OrgThe Clarinet BBoardThe C4 standard

 
  BBoard Equipment Study Resources Music General    
 
 New Topic  |  Go to Top  |  Go to Topic  |  Search  |  Help/Rules  |  Smileys/Notes  |  Log In   Newer Topic  |  Older Topic 
 for those of you familiar with "32 Etudes For Clarinet"
Author: loverofclarinets 
Date:   2010-01-06 01:02

(32 Etudes For Clarinet by Cyrille Rose)

Which is your favorite/the best piece to sort of "show off" with.

For a high school student, no need to break out the concertos or anything like that!

Familiar with most of the book, need to pick one for an audition coming up in a couple of months.

Reply To Message
 
 Re: for those of you familiar with "32 Etudes For Clarinet"
Author: clariniano 
Date:   2010-01-06 01:14

I personally love #11, actually played it for a concert last year! Very musical and some technical elements. #1 is nice too.

Meri

Please check out my website at: http://donmillsmusicstudio.weebly.com and my blog at: http://clariniano.wordpress.com

Reply To Message
 
 Re: for those of you familiar with "32 Etudes For Clarinet"
Author: xpedx7342 
Date:   2010-01-06 01:17

Number 26 is great to show off with because it sounds difficult but actually is just technical elemetns going up a scale. Especially going fast, it sounds cool.

Reply To Message
 
 Re: for those of you familiar with "32 Etudes For Clarinet"
Author: Ed Palanker 
Date:   2010-01-06 01:34

Pick the one you can play the best of those you like and feel you can express yourself the best as well as play clean at good tempo. ESP http://eddiesclarinet.com

Reply To Message
 
 Re: for those of you familiar with "32 Etudes For Clarinet"
Author: mrn 
Date:   2010-01-06 02:50

Ed's right. The whole point of an audition is to demonstrate your strengths as a player to someone else. So to pick audition material for an audition, you really need to have some idea of where your strengths and weaknesses lie.

Since most auditions have some kind of competitive component to them, you should also ask yourself what positive aspect(s) of your playing make you stand out among your peers. What can you do better than everybody else?

Keeping that in mind, you need to select pieces that highlight the best aspects of your playing and that minimize the impact of any particular weaknesses you have. It can really help to have a teacher or director assist you in figuring this out.

The other thing you should try to do is to play pieces you feel you understand well and have a deep appreciation for on an artistic level. Of course, you have to be able to play it well technically, but that's not what I'm talking about. What I mean is that you should try to play pieces that you enjoy, find personally meaningful, and have a good intuitive feel for how they work musically (not how to play the notes, per se, but rather, how the music is constructed and what the music is saying to the listener). The more you "dig" what you play, the better you'll play it.

Reply To Message
 Avail. Forums  |  Threaded View   Newer Topic  |  Older Topic 


 Avail. Forums  |  Need a Login? Register Here 
 User Login
 User Name:
 Password:
 Remember my login:
   
 Forgot Your Password?
Enter your email address or user name below and a new password will be sent to the email address associated with your profile.
Search Woodwind.Org

Sheet Music Plus Featured Sale

The Clarinet Pages
For Sale
Put your ads for items you'd like to sell here. Free! Please, no more than two at a time - ads removed after two weeks.

 
     Copyright © Woodwind.Org, Inc. All Rights Reserved    Privacy Policy    Contact charette@woodwind.org