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Author: mrn  
Date:   2009-07-07 22:58 
 I found some interesting information I thought I'd share.  I didn't realize this until I ran across this today, but Copland's Hoedown from Rodeo (a frequently discussed piece on here) was based (pretty much note-for-note) on a single Library of Congress recording of one particular fiddler's interpretation of a traditional tune.  I ran across the source recording here on YouTube: 
 
http://www.youtube.com/watch?v=1yeQucos9-M 
 
Apparently Ruth Crawford Seeger made a transcription of this recording, which Copland used as the source material for the Hoedown, which you can read about here.   
 
A discussion of various versions of this tune (with examples) is here. 
 
Anyway, I thought this was kind of interesting.  Now if I could just find that Brazilian tune Copland stole to write the Concerto....  
 
  
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Author: GBK  
Date:   2009-07-07 23:11 
 mrn wrote: 
 
> Copland's Hoedown from Rodeo (a frequently discussed piece on 
> here)  
 
 
Or, its better known title:  "One long tonguing exercise written for the wrong clarinet" 
 
...GBK
  
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Author: mrn  
Date:   2009-07-08 03:41 
 GBK wrote: 
 
> Or, its better known title:  "One long tonguing exercise 
> written for the wrong clarinet" 
 
That it is! 
  
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Author: rsholmes  
Date:   2009-07-08 13:21 
 A band called Mad Pudding recorded, I am not making this up, a folkie version of Emerson Lake and Palmer's rock version of Aaron Copland's classical version of a folkie fiddle tune.
  
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