The Clarinet BBoard
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Author: Cdh
Date: 2024-04-21 14:04
A further realisation about bar 61 in the Rondo of KV 622 has prompted a small revision of my edition:
https://mozartbassetclarinet.wordpress.com/a-new-edition-of-kv-622/
Simply play the passage slowly at the piano with the bass part and you will be convinced that this produces the best counterpoint. Try the NMA reconstruction the same way - it is not correct. Even the solution I offered previously is not as good, although it is perhaps the best option for those without a low B.
Now look at the other wide ranging arpeggios in this passage - in bars 62 & 69 - and observe that they also contain turning points. They do not run in a straight line to their resolutions.
With this reconstruction there are now a total of 5 low B's which were likely to have been composed by Mozart in KV 581 and KV 622. That is now simply too many to ignore.
I have come to the conclusion that all of these low B's were changed by Stadler. However, that is not a good enough reason to dismiss them.
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Cdh |
2023-06-28 15:17 |
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Liquorice |
2023-06-28 23:17 |
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hoobdeebla |
2023-07-01 22:08 |
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John Peacock |
2023-07-03 02:08 |
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Cdh |
2023-07-03 07:41 |
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Cdh |
2023-07-03 07:46 |
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John Peacock |
2023-07-03 11:54 |
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Cdh |
2024-04-21 14:04 |
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brycon |
2024-04-22 23:52 |
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Cdh |
2024-04-23 07:09 |
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Liquorice |
2024-04-23 01:57 |
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brycon |
2024-04-23 23:23 |
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Cdh |
2024-04-24 02:34 |
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cigleris |
2024-04-24 02:44 |
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brycon |
2024-04-24 02:48 |
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Cdh |
2024-04-26 03:52 |
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Liquorice |
2024-04-26 10:14 |
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Cdh |
2024-04-26 14:48 |
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Liquorice |
2024-04-28 23:59 |
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