The Clarinet BBoard
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Author: Bob Barnhart ★2017
Date: 2022-10-16 08:56
Interestingly, I’ve sometimes thought of some German players as having both a dark and bright tone, in the same way one might be said to have a dark but reedy sound (e.g., Sabine Meyer).
Some players clearly have lots of harmonics, but don’t have an unpleasantly bright, harsh or edgy sound. This make me think that bright or dark is not simply the presence or absence of harmonics, but rather which harmonics are prominent and which are not. For example, the 12th is considered to be very significant in tone quality.
So perhaps, we could refine our terms by precisely defining the composition and relative strength of the harmonics present in a good (or poor) tone.
For me, good tones may be dark or bright, but they should be resonant (prevalence of odd harmonics) and round (harmonics of fundamental?).
Bob Barnhart
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Re: I don't understand "warm," "dark," "covered," et al new |
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Bob Barnhart |
2022-10-16 08:56 |
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SebastianB |
2022-10-16 09:33 |
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2022-10-16 21:05 |
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seabreeze |
2022-10-18 04:03 |
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Paul Aviles |
2022-10-18 05:16 |
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kdk |
2022-10-18 23:30 |
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Fuzzy |
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