The Clarinet BBoard
|
Author: donald
Date: 2021-12-29 05:41
I played a Rovener ligature for years, just played with the best reeds I could find and won jobs and competitions.
I changed to screw down ligatures, clamping the reed so there was no loss of energy, made a sound I liked.
I changed to ligatures that allow the reed to vibrate more sympathetically throughout its length, made a sound I liked.
My experience has concurred with the OP, however I'd say that with the "clampy ligature" you also CAN lose a little of the ease of legato and even response through different registers.
So, for example, Altissimo D will respond a little different to high C or the D and octave lower with a "clampy ligature" but tend to be more uniform in response with a less clampy set-up. This might also be due to the relationship between the reed and the mouthpiece table- and the clamping is highlighting this.
This is an observation based on an unhealthy amount of time swapping ligatures, I could have just stuck with my original ligature solution (given to me on my 15th birthday!)
Results may vary.
|
|
|
SecondTry |
2021-12-28 00:50 |
|
Paul Aviles |
2021-12-28 02:15 |
|
Mojo |
2021-12-28 17:22 |
|
Philip Caron |
2021-12-28 18:43 |
|
SunnyDaze |
2021-12-28 22:38 |
|
Bennett |
2021-12-28 23:33 |
|
Burt |
2021-12-28 23:50 |
|
Paul Aviles |
2021-12-29 00:04 |
|
John Peacock |
2021-12-29 02:27 |
|
kdk |
2021-12-29 03:32 |
|
donald |
2021-12-29 05:41 |
|
SecondTry |
2021-12-30 21:22 |
|
The Clarinet Pages
|
|