Author: kilo
Date: 2021-02-19 22:29
I never really cared for the Signature line, even though, based on the hype, I really wanted to like them. Mind you, this is on tenor sax and bass clarinet as I never saw any reason to try them on soprano clarinet. I really like the slightly wider European Cut with the "power spine" running down the middle of the vamp. But here's the thing — if you get good response on a Yamaha 4C and Rico orange box reeds, play them proudly. Lots of players like the Signature reeds; or at least they said they did when Legere introduced them. If you know that a reed is working for you there's no need to second guess your choice, especially since you've tried the European Cut and found it lacking.
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