Author: BaconLord
Date: 2020-02-04 22:54
Hello,
I have a few questions regarding the Copland Concerto.
I have chosen it for grad school auditions and have always been troubled with interpretation.
There’s some people that play it “straight through” while others jazz it up a little bit. I like both interpretations but I cannot put finger on one.
What do you guys think, especially for grad school auditions?
If I were to play the more jazzy version, my additions are straight from recordings of the pros, including Anthony McGill, Patrick Messina, Eddie Daniels, etc.
But I also like the simplicity of Rusinek’s and Neidich’s recordings...
Help me choose and what would be appropriate for college auditions!
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