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 Re: Baermann's
Author: OlyDLG 
Date:   2019-06-28 01:12

Thanks, both!

Since I clearly have the attention of some knowledgeable people here :-): in Etude #40 "Andante", the beginning of the 12/8 section is marked "l'istesso tempo," which I looked up to mean "same tempo"; however, this is preceded, albeit in the previous section, by a rallentando, followed by a ritard, with no subsequent "a tempo" before the l'istesso. So, my question is: l'istesso as the original Andante, or as whatever the performer finished the first section at? (Or is it meant to be left to performer's discretion?) Thanks!

DLG

Addendum: Actually, I see further on that Baermann implies the answer to my Q: when he returns to common time, he declares "Tempo I," kind of implying that the previous section *wasn't* supposed to be at Tempo 1 (there are no tempo changes in the 12/8 section), so I'm going to assume that l'istesso refers to whatever tempo the performer ended section 1 with.



Post Edited (2019-06-28 02:21)

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 Topics Author  Date
 Baermann's "Complete Method for Clarinet"  new
OlyDLG 2019-06-27 09:37 
 Re: Baermann's "Complete Method for Clarinet"  new
kdk 2019-06-27 17:33 
 Re: Baermann's "Complete Method for Clarinet"  new
Bennett 2019-06-27 21:38 
 Re: Baermann's "Complete Method for Clarinet"  new
OlyDLG 2019-06-28 01:32 
 Re: Baermann's "Complete Method for Clarinet"  new
Bennett 2019-06-28 02:23 
 Re: Baermann's "Complete Method for Clarinet"  new
tacet 2019-06-29 13:03 
 Re: Baermann's   new
seabreeze 2019-06-30 01:54 
 Re: Baermann's  new
OlyDLG 2019-06-30 02:32 
 Re: Baermann's   new
OlyDLG 2019-06-28 01:12 
 Re: Baermann's "Complete Method for Clarinet"  new
kdk 2019-06-28 03:31 


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