The Clarinet BBoard
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Author: seabreeze
Date: 2019-06-13 00:00
Ok, subtle vibrato but not the Kell, DePeyer, Stolzman pronounced type. I hear the Cahuzac tonal variations more as changes in color and timbre rather than pitch. Incidentally, I tend to prefer Jeanjean played with subtle vibrato rather than perfectly straight, and there is no doubt that many of his French colleagues did play with some vibrato shadings. But my main point is that there was not a single united position in the culture of the Paris Conservatory as to whether to use or not use vibrato. Some players used little; some more. In the US Bonade promoted a straighter, more vibrato-free sound in his students.
Post Edited (2019-06-14 16:25)
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Ken Lagace |
2019-06-05 20:26 |
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kdk |
2019-06-05 20:38 |
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Fuzzy |
2019-06-05 20:56 |
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Ken Lagace |
2019-06-06 00:12 |
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Fuzzy |
2019-06-11 09:00 |
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Paul Aviles |
2019-06-11 14:01 |
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Liquorice |
2019-06-11 15:12 |
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Liquorice |
2019-06-11 15:19 |
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kdk |
2019-06-11 19:25 |
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Fuzzy |
2019-06-11 22:36 |
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seabreeze |
2019-06-12 04:18 |
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rmk54 |
2019-06-12 17:20 |
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seabreeze |
2019-06-13 00:00 |
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Liquorice |
2019-06-12 21:27 |
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rmk54 |
2019-06-13 03:32 |
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kdk |
2019-06-13 04:33 |
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Fuzzy |
2019-06-13 08:30 |
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Paul Aviles |
2019-06-13 15:58 |
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The Clarinet Pages
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