Author: Ralph Katz
Date: 2019-06-04 04:41
I got copies of Alfred Uhl: 48 Studies for Clarinet books 1 & 2.
The engraving sometimes splits measures across staves, so half the measure is at the end of a line, and the other half at the beginning of the next line. This is not universally done, only in the first few etudes. Maybe they fired the typesetter, or slapped his hands with a ruler. Oh, wait, there is another one in No. 46. Doesn't this make sight-reading a bear?
In Book 1, Etude 2, measure 11 is split. There is a c# in the first half of the bar, and an otherwise unmodified c in the second half of the bar, so it should be c#, but that sure doesn't sound right. Accidentals are clearly marked when bars are split in subsequent etudes.
Is it designed to trip up the player? Or just a mistake?
picky, picky...
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