Author: Ursa
Date: 2019-02-25 11:00
Point well taken, Paul.
If it works, stick with it--and if it doesn't, move on to something else--regardless of whatever inscription is stamped upon it.
I've got a nice collection of mouthpieces that I paid good money for which were obvious duds from the first test play. I should've returned all of them immediately, but incorrectly assumed that since they cost so much, it must've been mismatched reeds, faulty technique, or some other factor causing disappointing results.
Surely, untold legions of clarinetists have gone down the same road with vintage Chedevilles and Kaspars--wracking their brains trying to make them work, when it should be obvious that it just isn't gonna happen.
Post Edited (2019-02-25 11:01)
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The Clarinet BBoard
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