The Clarinet BBoard
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Author: donald
Date: 2019-02-23 01:37
I played a Chedeville in 1995, used it for 3 months preparing for a recital but then had to return it (I understand that it was next loaned to Chad Burrow, but that may be incorrect). It just made that sound, it felt like it was glowing. Then in 2000 I had the opportunity to play a Chedeville owned by a retired US symphony player (who claims in his book that he found this mouthpiece with a bad facing, realised its potential and had it refaced - then used it exclusively for many years) and found that same feeling, response and sound. The only time I've ever really had that response and feeling when trying out new mouthpieces.
There is some magic in the world.
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Bill |
2019-02-22 20:06 |
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Paul Aviles |
2019-02-22 21:39 |
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Re: First blows on a Kaspar new |
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donald |
2019-02-23 01:37 |
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Ed Palanker |
2019-02-23 18:55 |
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donald |
2019-02-23 22:56 |
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Ed Palanker |
2019-02-24 17:49 |
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Paul Aviles |
2019-02-24 18:32 |
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Ursa |
2019-02-25 11:00 |
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seabreeze |
2019-02-25 17:10 |
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Philip Caron |
2019-02-26 02:25 |
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clarii2 |
2019-02-27 10:00 |
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Bob Bernardo |
2019-02-27 12:28 |
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donald |
2019-03-02 05:32 |
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Paul Aviles |
2019-03-02 08:52 |
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The Clarinet Pages
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