The Clarinet BBoard
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Author: Brad Behn
Date: 2018-03-04 17:36
I forgot to mention a great trick to add resonance on your long B is to add the A-key.
I use it as often as possible.
There is one drawback to the tonal improvement however. It does raise the pitch a touch. So it should be properly voiced to not be sharp.
The Brahms solo I mentioned in my above comments is a great place to use this technique. It matches resonances in the scale from G, A, to B and on, making the timbre more consistent and evenly matched.
This fingering for B (adding the A-key) wasn't introduced to me in my studies. Marcellus never mentioned it, however I owe Steve Barta, another Marcellus student thanks for showing it to me years ago. He learned it from Harold Wright.
Brad Behn
http://www.clarinetmouthpiece.com
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jonathan.wallaceadams |
2018-03-03 17:26 |
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jdbassplayer |
2018-03-03 17:49 |
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Ed Palanker |
2018-03-03 17:51 |
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Ken Lagace |
2018-03-03 18:30 |
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kdk |
2018-03-03 19:04 |
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ClarinetRobt |
2018-03-03 19:11 |
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Ed Palanker |
2018-03-03 22:56 |
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donald |
2018-03-04 00:35 |
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Brad Behn |
2018-03-04 03:23 |
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kdk |
2018-03-04 05:03 |
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Brad Behn |
2018-03-04 17:36 |
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Ken Lagace |
2018-03-04 18:35 |
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seabreeze |
2018-03-04 21:51 |
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Ken Lagace |
2018-03-05 04:44 |
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seabreeze |
2018-03-05 06:07 |
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Wes |
2018-03-05 10:58 |
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Slowoldman |
2018-03-05 16:13 |
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jonathan.wallaceadams |
2018-03-05 19:03 |
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Brad Behn |
2018-03-05 20:24 |
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jonathan.wallaceadams |
2018-03-05 23:20 |
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donald |
2018-03-08 13:23 |
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donald |
2018-03-09 08:52 |
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seabreeze |
2018-03-09 19:48 |
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donald |
2018-03-10 05:45 |
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