The Clarinet BBoard
|
Author: Bob Bernardo
Date: 2017-10-20 00:42
I have a limited edition of a recording from Mitchell Lurie doing this quintet. It is kind of perfect in the sense that it took a week to record it. So there were many takes to get this recording right.
He slurred this passage. Mitchell of course was very capable of slurring 2 and tonguing 2. The recording was done with a regular A clarinet. The whole recording was not fancy at all. Nothing was done to give you that WOW factor. It was just a really great recording, probably something that Mozart would have wanted.
This conversation kind of reminds me of the Copland Concerto. We hear so many versions of the Copland. Some players double and even triple tongue the piece. I was lucky enough to talk with Aaron about the piece when he was around 75 years old. He wrote it for Benny Goodman. They both lived in NYC in the 1940's and they both loved Big Band music. Aaron wanted this to be played as a jazz feel. If we look at the cadenza there are no markings. So players seem to want to tongue the heck out of it and play it as fast as possible. But one of my favorite recordings is with Eddie Daniels who really had fun with this piece. Available on youtube.
My point of course is understanding what the composer wants. I really like what Shrifin did and what Mitchell Lurie did. Nice and clean. They stayed true to the composer.
Designer of - Vintage 1940 Cicero Mouthpieces and the La Vecchia mouthpieces
Yamaha Artist 2015
|
|
|
Klose |
2017-10-17 11:13 |
|
donald |
2017-10-17 13:00 |
|
Klose |
2017-10-17 13:15 |
|
dorjepismo |
2017-10-17 18:57 |
|
Klose |
2017-10-17 22:35 |
|
Bob Bernardo |
2017-10-18 08:27 |
|
Bob Bernardo |
2017-10-18 13:16 |
|
Klose |
2017-10-18 09:54 |
|
Klose |
2017-10-18 09:56 |
|
Klose |
2017-10-18 13:30 |
|
Mark Charette |
2017-10-18 19:05 |
|
Klose |
2017-10-19 05:29 |
|
Mark Charette |
2017-10-19 17:33 |
|
Klose |
2017-10-19 22:18 |
|
brycon |
2017-10-18 19:35 |
|
brycon |
2017-10-18 19:42 |
|
dorjepismo |
2017-10-18 21:14 |
|
brycon |
2017-10-18 23:54 |
|
brycon |
2017-10-19 07:06 |
|
dorjepismo |
2017-10-19 06:19 |
|
Bob Bernardo |
2017-10-19 06:21 |
|
Klose |
2017-10-19 07:42 |
|
Klose |
2017-10-19 07:55 |
|
brycon |
2017-10-19 07:59 |
|
brycon |
2017-10-19 08:16 |
|
Klose |
2017-10-19 08:52 |
|
Liquorice |
2017-10-19 10:53 |
|
Tony Pay |
2017-10-19 12:33 |
|
brycon |
2017-10-19 19:24 |
|
brycon |
2017-10-19 19:38 |
|
dorjepismo |
2017-10-19 20:12 |
|
Klose |
2017-10-19 22:26 |
|
brycon |
2017-10-19 22:46 |
|
Klose |
2017-10-20 00:31 |
|
Bob Bernardo |
2017-10-20 00:42 |
|
Klose |
2017-10-20 01:12 |
|
Philip Caron |
2017-10-20 01:26 |
|
Bob Bernardo |
2017-10-20 01:52 |
|
dorjepismo |
2017-10-20 02:07 |
|
Philip Caron |
2017-10-20 04:05 |
|
Klose |
2017-10-20 08:29 |
|
Bob Bernardo |
2017-10-20 09:05 |
|
Bob Bernardo |
2017-10-20 17:58 |
|
brycon |
2017-10-20 10:39 |
|
dorjepismo |
2017-10-20 17:35 |
|
The Clarinet Pages
|
|