Author: dorjepismo ★2017
Date: 2017-10-17 18:57
The same sort of thing happens in the Concerto and people accept the reconstructions, so yes, I think it makes sense if you've gone to the expense of getting a basset clarinet. The scholarship seems fairly thorough on at least the Baerenreiter editions.
I almost never tongue all the sixteenths in Mozart or other works from that period unless there are articulation marks indicating you should, although there are places where I'll tongue most of them. Especially in the octets, it would sound pretty funny if everyone did that, and I don't know of a good recording where they do. It seems pretty clear that the articulation in those places was left to the performers, and in groups like the Imperial Harmonie in Vienna, they probably worked out conventions so that everyone was on the same page with articulation.
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The Clarinet BBoard
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