The Clarinet BBoard
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Author: Dibbs
Date: 2016-02-08 15:48
kdk wrote:
> ... I would intuitively have
> thought adding those fingers would flatten the pitches or drive
> them up to even higher harmonics ...
That's what usually happens but not always. There's an interesting effect on my tarogato. The high B (above the first ledger line) is very flexible and hard to hit in tune. If I add R3 and the low C key it stablises and pops in tune. If I lip it sharp and add those fingers it goes flatter but if I lip it flat and add them it goes sharper. I'll check this evening if they improve the resonance of the lower B too. It doesn't need improving but it will be interesting to see.
The high C on my early clarinet goes sharper when I add right hand fingers too. As Tony says, it's the linkages on on Boehm system instruments that stop these things working, specifically the long Bb linkage.
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maxopf |
2016-02-08 03:09 |
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kdk |
2016-02-08 03:20 |
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Re: Resonance fingerings and overblowing |
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Dibbs |
2016-02-08 15:48 |
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Tony Pay |
2016-02-08 04:31 |
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Wes |
2016-02-08 23:28 |
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maxopf |
2016-02-09 04:17 |
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kdk |
2016-02-09 05:25 |
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maxopf |
2016-02-09 06:50 |
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Dibbs |
2016-02-09 15:56 |
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The Clarinet Pages
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