The Clarinet BBoard
|
Author: Agomongo
Date: 2015-11-23 00:33
It seems like from what I've read the Leuthner and Pilfer... maybe good for me. Though it still won't hold me back from trying the other reeds. I remember asking my teacher and another clarinet player about the reeds. They liked them and said that after break in they sounded great. However, my teacher did go back to the V12's I don't really remember why.
I am wondering what the difference between German, Viennese, and French. I hear German clarinet players like Leister, Meyer, and Ottensamer and they sound completely different from each other. Then I hear Nuccio, McGill, and Manasse and hear different tone qualities. Could someone perhaps give me a quick run through of the terms?
|
|
|
Agomongo |
2015-11-22 04:30 |
|
CEC |
2015-11-22 06:59 |
|
Agomongo |
2015-11-22 08:09 |
|
maxopf |
2015-11-22 08:54 |
|
CEC |
2015-11-22 09:21 |
|
Paul Aviles |
2015-11-22 17:19 |
|
CEC |
2015-11-22 20:58 |
|
maxopf |
2015-11-22 22:20 |
|
Agomongo |
2015-11-23 00:33 |
|
Paul Aviles |
2015-11-23 03:40 |
|
Agomongo |
2015-11-23 10:01 |
|
Paul Aviles |
2015-11-23 16:03 |
|
Agomongo |
2015-11-24 12:58 |
|
ClarinetRobt |
2015-11-24 02:35 |
|
maxopf |
2015-11-28 03:15 |
|
Agomongo |
2015-11-28 13:39 |
|
The Clarinet Pages
|
|