The Clarinet BBoard
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Author: Paul Aviles
Date: 2015-10-03 02:58
I used to use the "one key" method (or tone center), but I don't find that very realistic because even Mozartian music very quickly develops through various key centers in short order.
I would recommend picking two or three scale types per sitting and running through all the keys. I find it helpful to start at the back of each type and work toward C/amin. And finally I find the thirds and the interrupted scales to be the most important followed by the sixths and both versions of the arpeggios, and then the rest.
................Paul Aviles
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sarawashere |
2015-09-30 18:20 |
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ClarinetRobt |
2015-09-30 18:49 |
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pewd |
2015-09-30 18:52 |
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Paul Aviles |
2015-09-30 18:52 |
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kdk |
2015-09-30 21:15 |
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Sylvain |
2015-10-01 00:57 |
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seabreeze |
2015-10-01 06:35 |
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Paul Aviles |
2015-10-01 06:54 |
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sarawashere |
2015-10-01 07:19 |
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seabreeze |
2015-10-01 07:59 |
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Bob Bernardo |
2015-10-01 08:36 |
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kdk |
2015-10-01 23:33 |
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Paul Aviles |
2015-10-01 19:38 |
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Christopher Bush |
2015-10-02 06:45 |
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Slowoldman |
2015-10-02 22:59 |
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Paul Aviles |
2015-10-03 02:58 |
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kdk |
2015-10-03 04:54 |
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Paul Aviles |
2015-10-03 08:45 |
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Bob Bernardo |
2015-10-03 22:12 |
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seabreeze |
2015-10-04 02:50 |
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The Clarinet Pages
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