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Author: fskelley
Date: 2014-02-07 14:38
Excellent food for thought- Robert.
I especially like the idea of all registers being considered equal. For example, I want any note, anywhere on the clarinet, to be as loud or as soft, or as long or as short, as I want it to be, any time I play it- no matter what notes led up to it or at what speed. Such a simple requirement- and so difficult to accomplish.
Oh, let's add- and pitch bent up or down or vibratoed (is that a word?) as much or as little as I choose (for musical not technical reasons). And I want every note to speak on demand without delay or fuss. Not so much, is it?
Actually, you'll understand this better if you know where I'm coming from. I'm a truant keyboard/synth player who only got back onto clarinet in old age (played modestly in hs/college). Many times as I arranged "clarinet parts" or "flute parts" or "trumpet parts" on Cakewalk or previously on hardware sequencers, I was happy but unhappy with the results. Real is better. All I want now is for my real clarinet to behave like a synth keyboard- you want a note, anywhere, you just touch it and it'll be there. By contrast, imagine a piano keyboard where some notes play very nicely, others randomly won't play, or squeak(!), or delay their response, or play some other notes instead. I have played on some bad pianos kind of like that, but mostly you just don't put up with that.
I'm also immensely enjoying dynamics after a note starts (can't do that on piano), and pitch bending. I know some synth player do well with pitch wheels and such (even old breath controllers)- but I never mastered the coordination- besides, I needed both hands to play keys.
THIS SONG is an example of an old keyboard/synth sequenced arrangement of mine, that now I've added clarinet. There's a few C4's
in it after the key change toward the end. If I want to play this in churches, I need to reliably hit them, otherwise it seems a bit foolish to try and fail. Not the end of the world though...
http://www.youtube.com/watch?v=Zgx0Mh9IEkA
Stan in Orlando
EWI 4000S with modifications
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fskelley |
2014-02-06 07:09 |
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ned |
2014-02-06 02:24 |
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fskelley |
2014-02-06 02:45 |
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fskelley |
2014-09-22 07:48 |
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gsurosey |
2014-02-06 07:35 |
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gkern |
2014-02-06 10:19 |
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fskelley |
2014-02-06 13:51 |
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Clarimeister |
2014-02-06 10:51 |
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fskelley |
2014-02-06 19:08 |
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gkern |
2014-02-06 19:59 |
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fskelley |
2014-02-06 20:44 |
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MarlboroughMan |
2014-02-06 20:55 |
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fskelley |
2014-02-06 21:33 |
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seabreeze |
2014-02-06 19:00 |
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fskelley |
2014-02-07 00:36 |
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fskelley |
2014-02-10 09:49 |
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MarlboroughMan |
2014-02-07 01:37 |
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fskelley |
2014-02-06 18:47 |
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gkern |
2014-02-06 23:54 |
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MarlboroughMan |
2014-02-07 01:34 |
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William |
2014-02-07 00:01 |
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fskelley |
2014-02-07 00:42 |
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kilo |
2014-02-07 05:46 |
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fskelley |
2014-02-07 01:19 |
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fskelley |
2014-02-13 18:29 |
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sfalexi |
2014-02-07 06:18 |
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seabreeze |
2014-02-07 11:29 |
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Re: Routine extreme altissimo? |
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fskelley |
2014-02-07 14:38 |
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BflatNH |
2014-02-07 15:11 |
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fskelley |
2014-02-07 19:58 |
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BflatNH |
2014-02-07 10:15 |
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MarlboroughMan |
2014-02-07 17:19 |
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MarlboroughMan |
2014-02-07 17:25 |
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fskelley |
2014-02-07 15:11 |
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MarlboroughMan |
2014-02-07 15:52 |
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fskelley |
2014-02-07 21:16 |
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sfalexi |
2014-02-07 16:27 |
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ThatPerfectReed |
2014-02-07 19:04 |
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fskelley |
2014-02-07 15:18 |
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BflatNH |
2014-02-07 20:07 |
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ThatPerfectReed |
2014-02-08 00:53 |
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Ed Lowry |
2014-02-10 23:57 |
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fskelley |
2014-02-11 01:06 |
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MarlboroughMan |
2014-02-10 20:21 |
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seabreeze |
2014-02-10 21:01 |
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MarlboroughMan |
2014-02-11 03:05 |
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Wes |
2014-02-10 22:42 |
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seabreeze |
2014-02-11 04:14 |
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fskelley |
2014-02-11 04:54 |
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fskelley |
2014-02-12 10:30 |
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fskelley |
2014-02-19 04:50 |
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Tony F |
2014-02-19 02:15 |
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fskelley |
2014-02-19 12:09 |
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fskelley |
2014-04-21 06:05 |
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fskelley |
2014-03-02 08:21 |
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fskelley |
2014-03-02 08:23 |
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Tony F |
2014-03-02 09:15 |
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DavidBlumberg |
2014-03-02 14:48 |
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fskelley |
2014-03-03 05:24 |
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clarinetist04 |
2014-03-03 06:24 |
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fskelley |
2014-03-09 07:05 |
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locke9342 |
2014-09-22 08:29 |
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maxopf |
2014-09-22 08:43 |
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fskelley |
2014-09-22 09:28 |
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Ken Shaw |
2014-09-22 17:06 |
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Philip Caron |
2014-09-23 03:36 |