The Clarinet BBoard
|
Author: Carl Maria von Weber
Date: 2013-02-18 06:03
Tom Ridenour's "Educator's Guide to the Clarinet" advocates double lip playing. How should I approach double-lip playing, and what will I gain from using a double-lip embouchure instead of single-lip? Also, how could double-lip playing help my single-lip playing? So far I have found double-lip playing quite difficult as far as tuning is concerned, though I understand my upper lip is probably weak from disuse.
|
|
|
Double Lip |
|
Carl Maria von Weber |
2013-02-18 06:03 |
|
Chris P |
2013-02-18 06:52 |
|
kdk |
2013-02-18 13:21 |
|
Ed |
2013-02-18 14:11 |
|
Paul Globus |
2013-02-18 14:43 |
|
Carl Maria von Weber |
2013-02-18 14:46 |
|
Bill |
2013-02-19 03:42 |
|
C.Elizabeth07 |
2013-02-19 03:53 |
|
Claire Annette |
2013-02-19 13:09 |
|
The Clarinet Pages
|
|