Author: grenadilla428
Date: 2010-07-10 03:28
Scales
Majors, minors, chromatic. In thirds, in fourths, in sixths, broken, returning. Slurred, tongued, in combination. Fear no key signature.
Arpeggios
Majors, minors, in triplets, in quarter & eighth patterns, dominant sevenths, diminished sevenths.
Everything else is built on these.
Baermann is a great book for that. Pick a set of scales and a set of arpeggios and go through them in two or three keys at a time. I find them not so much boring as relaxing... you know how the end product should sound, it's just a matter of finding the easiest way to get there. Their predictability can also be helpful as you work on intonation, articulation, and fluidity of fingers. I have not studied with him, but you cannot go wrong by being skilled at something so fundamental.
Good luck!
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