The Clarinet BBoard
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Author: skygardener
Date: 2007-09-04 14:23
I was about to start a similar thread. I have noticed accelerando before 'Un peu retenu', after (4).
Also, at (6) we have 'a Tempo (moderement anime)'. I have always read this to mean the same tempo as (5) 'moderement anime', quarter-72. However I always hear (6) played significantly faster than (5).
Towards the end we have 'Plus anime' which is often followed by a gradual accelerando up to (11).
I have been to masterclasses where I was told to do these things, but my question is 'Why?'. Debussy didn't write it. If one looks at the score they find a very different piece than is ustally played.
Also, is there any pianist alive that can count well enough to play the 4 measures after (12) correctly.
My first 'coach' for this piece was a composition/theory professos in college. He didn't know anything about the 'way it is done'; he just knew what Debussy wrote on the score. So I look at it the same way. Debussy wrote X so I try to do X.
Post Edited (2007-09-04 15:29)
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nes |
2007-09-04 09:10 |
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sfalexi |
2007-09-04 09:20 |
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Re: Debussy Premiere Rhapsody new |
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skygardener |
2007-09-04 14:23 |
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CPW |
2007-09-04 17:06 |
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Philip Caron |
2007-09-04 21:49 |
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nes |
2007-09-05 04:53 |
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skygardener |
2007-09-05 05:01 |
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CPW |
2007-09-05 13:41 |
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nes |
2007-09-05 14:15 |
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CPW |
2007-09-05 19:52 |
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sfalexi |
2007-09-06 11:35 |
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D Dow |
2007-09-06 12:13 |
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elmo lewis |
2007-09-07 00:41 |
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nes |
2007-09-07 04:50 |
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