Advertising and Web Hosting on Woodwind.Org!

Woodwind.OrgThe Clarinet BBoardThe C4 standard

 
  BBoard Equipment Study Resources Music General    
 
 New Topic  |  Go to Top  |  Go to Topic  |  Search  |  Help/Rules  |  Smileys/Notes  |  Log In   Previous Message  |  Next Message 
 RE: dark vs. dull
Author: Hiroshi 
Date:   1999-09-09 01:11

I think Japanese like moderate tonality,European their own way, and American take German or French style or international.

Even in Japan, where clarinet came mainly from Europe,there are two trends,German and French. Kitazume,Honorable Chairman of Japan Clarinet Association,uses Wuritzers with small bore and darker tone and provably with angled wall mouthpiece. Surely,this is optimal to play Brahms or Schuman,but not for Debussy or Rossini. However,Japanese people do not like too much darkness of tone. Typical examples are dark-toned clarinets such as Festival, Elite, and Recital almost dissappeared from professional orchestras. Buffet started to sell R-13s recently in Japan(they sold only RC or RC-Prestige), but I am afraid they may dissapear in the long run.

Japanese symphonic orchestras do not seem to have decided which tonality to take in mind. In other words,Jack-of-all-the-trade-master-of-none kind orchestras.

However,American Symphonic Orchestras seem to know what they would like to become. George Szell Cleveland wanted German definitely. Pitzberg also. Boston, Philadelphia, NY, international. I guess this comes from the fact that although U.S.is a melting pot there are certain people-German, English, or others- started to dwell in certain parts of north America just after pilgrim fathers came around 1630's.

I do not think Harold Wright or Staley Drucker are dull. Charles Neidich seems in fact to try to reach something different: He went to USSR by scolarship. If Japanese orchestras try to take international tonality, Stanley Drucker clarinet,not too dark and not too mellow,may be a good reference.

I recently feel a little frustrated that clarinets tone are too much dependent on the bore size or taper design to make me change tone color. It may be better to revive old straight bore design again.

 Reply To Message  |  Avail. Forums  |  Flat View   Newer Topic  |  Older Topic 

 Topics Author  Date
 dark vs. dull  new
Nakata 1999-09-08 04:34 
 RE: dark vs. dull  new
Katherine Pincock 1999-09-08 13:59 
 RE: dark vs. dull  new
Hiroshi 1999-09-09 01:11 
 RE: dark vs. dull  new
TASH 1999-09-09 06:44 
 RE: dark vs. dull  new
Nakata 1999-09-09 08:07 
 RE: dark vs. dull  new
Mark Charette 1999-09-09 12:23 
 RE: dark vs. dull  new
William Fuller 1999-09-09 14:29 
 RE: dark vs. dull  new
Daniel 1999-09-09 21:11 


 Avail. Forums  |  Need a Login? Register Here 
 User Login
 User Name:
 Password:
 Remember my login:
   
 Forgot Your Password?
Enter your email address or user name below and a new password will be sent to the email address associated with your profile.
Search Woodwind.Org

Sheet Music Plus Featured Sale

The Clarinet Pages
is sponsored by:

For Sale
Put your ads for items you'd like to sell here. Free! Please, no more than two at a time - ads removed after two weeks.

Reeds
Great reeds available from around the world

Events
Major events especially for clarinetists

Instruments
Retailers and manufacturers of clarinets, both modern and early replica

Accessories
Accessories that every clarinetist needs - reed makers and shapers, ligatures, greases, oils, and preservatives ... and more!

Service
Instrument repairs, restorations, adjustments, and overhauls.

Miscellaneous
Services and products too varied to categorize! Repair, recording, news

Music & Books
CDs, Sheet Music, and some of the greatest reference books ever written!

Mouthpieces & Barrels
Fine makers of mouthpieces and barrels, from wood to crystal to hard rubber and plastic

 
     Copyright © Woodwind.Org, Inc. All Rights Reserved    Privacy Policy    Contact charette@woodwind.org