Woodwind.OrgThe Clarinet BBoardThe C4 standard

 
  BBoard Equipment Study Resources Music General    
 
 New Topic  |  Go to Top  |  Go to Topic  |  Search  |  Help/Rules  |  Smileys/Notes  |  Log In   Newer Topic  |  Older Topic 
 Matching the Lig to the Reed
Author: SecondTry 
Date:   2022-12-25 00:45

Happy Holidays all.

Disclaimer. I'm not much a ligature guy. Beyond its ability to meet basic functional requirements I'm not one to own and try them all or discuss them much.

My biases come from a belief that the subtle differences they make may not equate to their price differences and that too many people discuss them who aren't at the cusp of an ability level where such differences much matter, or perhaps where time isn't better spent practicing an etude book than in ligature discussion. (Then again, there's only so many hours we can practice and its nice to chat.)

Disclamer: I for the most part play a Vandoren M/O. So much for my playing the bargain basement hardware I preach, much that there are more expensive ligs out there. My defense lies in the ligature's double threaded screw's ability to quickly get reeds on and off, which is handy when breaking in new reeds.

All this said, I like playing lighter reeds. Sometimes this comes at the expense of the most subtle of pinching sounds on notes at or around [B4]..much that attention to a rounded embouchure, with pressure on all sides, and moving up the reed up on the mouthpiece a micron help.

But what also seems to have helped recently is the use of a leather ligature with such light reeds. What a concept! Matching a lig to a reed.

It's been my experience that leather ligs will subtly deaden a reed's sound compared to their equally tight metal counterparts.

Does anyone find this as well, or switch ligs based on a reed?

TIA

Reply To Message
 
 Re: Matching the Lig to the Reed
Author: Paul Aviles 
Date:   2022-12-25 06:22

Well if you are speaking of real leather, those ligature will NOT deaden the sound of your reed. I had a friend who held on very tightly to her original Rovner which was actually made of leather. I have a few Kangaroo leather ligatures from Mike Lomax that are great. The leather ligatures with inserts like the Ishimori Kodama or the Vandoren Leather are more aggressive and metal like in performance.

If you think out of the box a little, the BG Flex is a rubbery synthetic that is really quite good and holds the reed quite well even left looser (a posture that helps take the ligature out of the equation giving you a vibrant performance almost no matter what ligature you use).



..............Paul Aviles



Reply To Message
 Avail. Forums  |  Threaded View   Newer Topic  |  Older Topic 


 Avail. Forums  |  Need a Login? Register Here 
 User Login
 User Name:
 Password:
 Remember my login:
   
 Forgot Your Password?
Enter your email address or user name below and a new password will be sent to the email address associated with your profile.
Search Woodwind.Org

Sheet Music Plus Featured Sale

The Clarinet Pages
For Sale
Put your ads for items you'd like to sell here. Free! Please, no more than two at a time - ads removed after two weeks.

 
     Copyright © Woodwind.Org, Inc. All Rights Reserved    Privacy Policy    Contact charette@woodwind.org