The Clarinet BBoard
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Author: ClearClarity
Date: 2017-02-26 19:11
Yello there peps
Just wanted to ask if anyone here knew a little bit about reeds, the advantages and disadvantages about both synthetic and non synthetic reeds
I'm currently using the vandoreen B40 with standard cheap vandoreen reeds, but I'm planning to switch to playeasy B2 with a synthetic reed, after my prof. let me use his playeasy B1 with a synthetic reed. It was far more better then my B40, it was easier to blow, etc.
So I just wanted to hear your guys thoughts about this topic and as always thanks in advance
ClearClarity
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Author: kdk
Date: 2017-02-26 19:38
I didn't know Vandoren made a "cheap" reed. They seem pretty pricey to me.
It isn't clear what you want people here to tell you. You've already made a judgment based on your having actually tried the Playeasy/synthetic combination and the only way for you to find out if your first impression will stand up over time is to make the switch and find out.
I don't know anything about the Playeasy mouthpieces except what I've read here, so others might want to react or not. My reaction about synthetic reeds depends on which reed you mean. I've only found one - the Legére Signature European style - that I actually like playing on, but I've switched to using them regularly because they are more stable over time than cane, more consistent out of the box than cane, don't need to be kept moist during extended playing (rehearsals and concerts) and last far longer than cane. The trade-offs, after a short period to learn how to adjust embouchure and internal oral approaches to them. are a tendency to tune lower than cane reeds, especially in the altissimo range, and a less prominent "ping" or "ring" or "edge" than I've always listened for in my cane reeds.
Your mileage may differ depending on what sound you've become used to using cane and how the synthetic you choose interacts with the Playeasy mouthpiece. Apparently your teacher likes the combination, and you liked your trial of it when you played his setup. So my advice, regardless of the responses you get, is to make the switch and see how *you* like it after a few weeks. Just don't throw or give away your B40 or your Vandorens until you've decided.
Karl
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Author: dorjepismo ★2017
Date: 2017-02-27 00:04
My experience is similar to Karl's, except that I haven't switched over. European Signatures are the only synthetics I like the sound of, but there are things in the sound and feel of cane reeds--I mostly use Pilgerstorfers and Leuthners--that I really like and miss in the synthetics. I'm not sure other people hear much difference though. I also think the synthetics aren't a perfect match for the facing on my mouthpiece, so if I end up switching to instruments that Nick makes mouthpieces for, I'd be very interested in trying one that is made specifically for the synthetic reeds. I'm saying this on a day the weather changed and all the reeds in my case have gotten a hard edge to them.
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Author: gwie
Date: 2017-02-27 03:42
There's a trade-off that has to be made.
A great cane reed is still the winner for me. The question is, do I want to invest the amount of money and time necessary to get one of those? If one is looking through boxes of Vandoren reeds and making adjustments in order to get them to where you need them to be, that could end up being a lot. In my case, I finally decided it was not worth the trouble.
Despite the differences in behavior, I find the Legere Signature European Cut reed to be at least 90 to 95 percent of the quality of a great cane reed. To be able to pull out something that is nearly identical every single time, with that kind of consistency, is more valuable to me these days than eking out that last 5 to 10 percent of performance. Particularly as there are days due to environmental conditions beyond my control where my cane reeds would perform far worse...
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