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Author: clarinetdaddy
Date: 2006-05-05 20:17
Hello All,
Need a little note help on this piece. It is done by H. Sutermeister (1946).
I have a few note questions. Do the accidentals carry over by octave when in the same bar? Like (Db 3 and Db 2). It seems to sound better when I go cack to a D 2 instead of a Db. Here is an example. If you count the bars starting with the first full bar, 28th bar. right before the (Con elehanza). Also the bar just before you play into the (Poco rubato) section. They look about the same except the accidentals markings are missing in that bar. The notes are the same.
Thank you,
Miles-clarinetdaddy
clarinetdaddy
"The only thing necessary for the triumph of evil is for good men to do
nothing".
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Author: DaveF
Date: 2006-05-05 22:00
The measure before Con eleganza the natural signs on D and G should apply to the next sixteenths, which are pick-ups into a new phrase. I think the modulation makes sense. I would assume the same at the next place, the measure before Poco rubato........it's the same passage, but the natural signs got left off the D, B, and G. At least that how interpret it. Maybe someone has more definitive information.
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Author: Jack Kissinger
Date: 2006-05-05 22:15
The way I learned it (from a pretty good teacher), the last two notes in the measure before the "con eleganza" are G natural and D natural. That implies, absent an error in the score, that Sutermeister intended the accidentals to carry through all octaves. On the other hand, in the measure before the "Poco rubato," the sixteenth notes, as I learned them, are D natural and B natural, which could imply that the accidentals don't carry through ... but I think, instead that there is simply a misprint in the score and the natural signs were inadvertently omitted, especially since the last two notes in the bar are both intended to be G natural! I listened to Karl Leister's recording and he plays these notes the way I learned them (well, maybe a little faster )!
To add to the confusion, note the many instances where Sutermeister repeats his accidentals when he shifts octaves in a measure, e.g., the sixth measure of the poco rubato and, again, six measures later -- or maybe everyone's simply been playing it wrong all these years.
Best regards,
jnk
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Author: elmo lewis
Date: 2006-05-06 19:34
I believe there was a thread with these same questions a few years ago. You might want to search for it.
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