Woodwind.OrgThe Clarinet BBoardThe C4 standard

 
  BBoard Equipment Study Resources Music General    
 
 New Topic  |  Go to Top  |  Go to Topic  |  Search  |  Help/Rules  |  Smileys/Notes  |  Log In   Newer Topic  |  Older Topic 
 Which solo de concours..
Author: J-MB 
Date:   2019-01-26 23:29

My teacher gave me the option of either solo de concours (Rabuad or Messager) to use for my next solo and probably my college auditions which are far away but he wants to start pieces now, I’m using this piece for an audition this fall as well. I like messager because it’s technical and so fun to play but I also like Rabaud because it’s dramatic and dark and fun at the end. I’m not sure which one would be “better” for an audition for a band/orchestra setting because we hold our auditions in the fall for our youth honors ensmebles for our area.

Thank you, Justin Brown

Reply To Message
 
 Re: Which solo de concours..
Author: Paul Aviles 
Date:   2019-01-27 02:50

Both are pretty technical in their own way. Personally I like the Rabaud for the meaty opening slow section. But you should choose the one that satisfies you more since you may be living with it for awhile.





...................Paul Aviles



Reply To Message
 
 Re: Which solo de concours..
Author: J-MB 
Date:   2019-01-27 18:36

So you think they’ll both be equally as successful in auditions? I’m just not sure which one to choose since they’re so different.

Reply To Message
 
 Re: Which solo de concours..
Author: bmcgar 2017
Date:   2019-01-28 09:21

Equally successful as long as they're performed equally well. :-)

Within reason, it's not the piece that is going to make or break your audition (unless one of the judges flubbed the one you chose in high school after practicing until fingers bled and the embouchure cramped up and never wants to hear it again) it's how well, technically and musically, you play the one you choose.

Play the one you like the most!

B.

Reply To Message
 
 Re: Which solo de concours..
Author: Tom H 
Date:   2019-01-28 09:58

I prefer the Messager. Seems to have more variation and that great cadenza. I like the Rabaud too, but the fireworks come at the beginning, though the end is quite animated. Anyone knowing where to get a Band arrangement for the Messager please let me know. We tried to find it a few years ago and I played the Rabaud instead.

The Most Advanced Clarinet Book--
tomheimer.ampbk.com/ Sheet Music Plus item A0.1001315, Musicnotes product no. MB0000649.

Boreal Ballad for unaccompanied clarinet-Sheet Music Plus item A0.1001314.
Musicnotes product no. MNO287475

Reply To Message
 
 Re: Which solo de concours..
Author: J-MB 
Date:   2019-01-29 19:06

Are there any other pieces you could recommend? As someone that has studied the 3rd movement of the Mozart which piece (s) do you guys think would be a good best piece for an audition?

Reply To Message
 
 Re: Which solo de concours..
Author: Paul Aviles 
Date:   2019-01-29 22:17

That is a loaded question.


For example, one that is asked for on some Washington D.C. military band auditions (at least in part) is the Weber Concertino. Marcellus actually referred to it as his favorite piece for clarinet. But may not be technical enough (or musically expository enough) for some juries. That said, when Larry Combs won his position with the Chicago Symphony he used the Weber First clarinet concerto.


If you're going into a situation where there is no accompanist provided it may make more sense to use a piece written to be unaccompanied such as the Stravinsky Three Pieces or Sutermeister Capriccio.


Then if you have a really good accompanist and are up for more of a "French" challenge, the Debussy Premiere Rhapsody is one of the very best solos for clarinet (if you're into tonal music that is).


So much good repertoire to chose from, so little time. I like your teacher's options.





..................Paul Aviles



Reply To Message
 
 Re: Which solo de concours..
Author: davyd 
Date:   2019-01-30 01:37

Tom H: The Chatfield Music Lending Library has an arrangement of the Messager piece with band, arranged by Jack Snavely, published in 1967. They call themselves a "lending" library, but they charge rental fees. There's no guarantee as to how good a shape their set will be in. But it's worth a try.

Reply To Message
 Avail. Forums  |  Threaded View   Newer Topic  |  Older Topic 


 Avail. Forums  |  Need a Login? Register Here 
 User Login
 User Name:
 Password:
 Remember my login:
   
 Forgot Your Password?
Enter your email address or user name below and a new password will be sent to the email address associated with your profile.
Search Woodwind.Org

Sheet Music Plus Featured Sale

The Clarinet Pages
For Sale
Put your ads for items you'd like to sell here. Free! Please, no more than two at a time - ads removed after two weeks.

 
     Copyright © Woodwind.Org, Inc. All Rights Reserved    Privacy Policy    Contact charette@woodwind.org