The Clarinet BBoard
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Author: ILikePies
Date: 2017-09-17 23:46
So right now I play a Bb clarinet and I am getting squeak problems when I play the opening solo of the Swan Lake "scene". The interval from the C sharp above the second break down to the A gives instant scares because it starts tweeting and I cannot fix it. Help please. Thanks
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Author: ILikePies
Date: 2017-09-18 00:38
@kdk Thank you! I am talking about the scene from Swan Lake Act 2. Yes it is an arrangement for the solo due to the fact our group does not have an oboe, but I checked that my fingers are all down firm on the tone holes, so I might need to adjust the pads, since there could possibly be a leak. Thank you for the help!
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Author: kdk
Date: 2017-09-18 01:17
ILikePies wrote:
> @kdk Thank you! I am talking about the scene from Swan Lake Act
> 2. Yes it is an arrangement for the solo due to the fact our
> group does not have an oboe,
So, the first Scene - No. 10 in Act II of the ballet opens with a famous oboe solo, but if that's what you're asking about, I answered about the wrong C# to A. You had mentioned crossing the "second break." It you transpose that oboe solo for Bb clarinet, you have a few C#5-A4 ( - ) intervals over the first break.
If that's what you're asking about, the business of the rings and related pads isn't related to it. Squeaks here could be caused by embouchure shift (you're still dropping from one harmonic to a lower one), or the clarinet could be wobbling as you go from all fingers to no fingers holding the instrument. The resistance change can also cause trouble. Keep your right hand fingers on the holes while you play A4. It can reduce the difference in resistance between the long and short tube lengths of C# and A.
Karl
Post Edited (2017-09-18 01:17)
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Author: Bob Bernardo
Date: 2017-09-18 04:59
Maybe it's a throat closing issue. You can try a different A fingering, with the right fingers down and using a double lip embouchure for a bit to help open your throat. With the right hand alternate A fingering the A should play better in tune and not pop out, so you will have more control over the note. There are a few different fingerings. Check your meter to see which one tunes the best. I have a favorite using both the left fingers and the right fingers that mellow out the A.
I sadly don't know how to write down this alternate fingering here, but I'm sure someone does. The double lip will take the pressure off of the reed and your mouthpiece, so you shouldn't ever squeak. Also practice backing off the air, but NOT the air support. To learn this technique try blowing up a balloon several times for a few days for a few minutes and take note of what is going on with HOW you are supporting the balloons air flow. This is what you pretty much have to do to support the A without backing of the air flow.
You are not looking for an "O" sound to open your throat. Kind of an euuu, as you go from C# to A. Maybe look at one of Lee Morgan's youtube videos. He has a short clip on what your throat should be doing. Lee is a heck of a player. Went to Interlochen Arts Academy and Cleveland Institute. Main teachers were Fred Ormand and Robert Marcellus. I often talk about the "Ping and the ring," in the sound. Well his sound carries so well in this hall. It's not bright and it it not a dark dead sound.
https://search.aol.com/aol/video?q=lee+morgan+clarinet+teaching+youtube&s_it=video-ans&sfVid=true&videoId=FECC97F13AC0548CBF1FFECC97F13AC0548CBF1F&v_t=loki-keyword
You won't ever squeak again. Best of luck, keep me posted. I'd like to hear how you make out.
Cheers!
Designer of - Vintage 1940 Cicero Mouthpieces and the La Vecchia mouthpieces
Yamaha Artist 2015
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