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 On The Trail BC Solo
Author: Hank Lehrer 
Date:   2008-03-07 18:39

Hi,

I have show coming up and I am getting bass clarinet chops tuned up. After fiddling around a little, I tried to play the famous bass clarinet solo in this movement. It seems to me that the piece is in A Concert and the BC would begin on B5 for the arpeggio and then down to E3 then the octave jump and then the finish.

Do I have it about right?

HRL

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 Re: On The Trail BC Solo
Author: Mark G Simon 
Date:   2008-03-07 18:56

Start on A#, go down in thirds. The low note is F#. It's in the Bass clarinet excerpt book.

Clarinetist, composer, arranger of music for clarinet ensemble

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 Re: On The Trail BC Solo
Author: Tobin 
Date:   2008-03-07 19:28

Depending on your horn, I recommend that you start with:

xooloxo for the A#.

Really helps a great deal! (Apologies if this was already in your bag of tricks!)

James

Gnothi Seauton

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 Re: On The Trail BC Solo
Author: LarryBocaner 2017
Date:   2008-03-07 20:07

With all due respect, having performed OTT a gazillion times, including my last two performances as a member of the National Symphony (and once as a sub after my retirement), I can't recommend starting with the xoooxo fingering for the initial A#. If your instrument is just a little bit out of line that note becomes stuffy and risky -- better to start with the side key fingering and use xoooxo for the subsequent A# if you must!

Hank, you have it right, assuming you are using concert pitch.



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 Re: On The Trail BC Solo
Author: Tobin 
Date:   2008-03-07 22:32

There is no way I can argue with experience like that!

James

Gnothi Seauton

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 Re: On The Trail BC Solo
Author: Hank Lehrer 
Date:   2008-03-08 02:46

Thanks, gentleman. You have given me exactly what I need (plus a few tricks to consider). It's a very neat passage to play and must surely be on most audition lists (but not being an orchestral player at all, I do not know for sure).

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 Re: On The Trail BC Solo
Author: Ed Palanker 
Date:   2008-03-08 03:18

Sorry Larry but I have to agree with Tobin on this. I too have played this solo many times with the Baltimore Symphony and I always use the one and two fingering. I find it much easier that way. It I true that you have to have the mechanism working just right but for me, it’s so much better on my bass. I play it that way and I teach it that way. Like so many things that I say, it depends on the individual. If your instrument is working like it should, try it both ways and play it the way it works best for you. ESP

www.peabody.jhu.edu/457

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