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 Re: Embouchure and articulation
Author: Paul Aviles 
Date:   2018-08-08 01:30



So when you crescendo what do you do?


You must push more air.


All you have to do is do that.......faster.


It is easier to start by understanding what happens musically with an accent. There are only TWO things one can do to make a note accented. ONE: make it louder. TWO: provide more space (silence) BEFORE the note.

Given what we've talked about, how do yo do those things on clarinet?

ONE: more air (a quick, push) It's a little confusing that we just had the Anderson video where she speaks negatively about "huffing." Of course she is talking to those who have just begun playing clarinet and don't even know how to start a note. "Huffing" is what I do to make a note immediately LOUDER.


TWO: leave the tongue upon the reed longer, or absence of air. Here we have the very essence of the great use of "huffing." If you have (for example) a marcato note every other quarter, you start the note with a tongue release "huff," and stop the note with your abdominal muscles in opposition with your diaphragm. The bigger the PUSH, the louder and more sudden the note will sound.




...............Paul Aviles



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