Advertising and Web Hosting on Woodwind.Org!

Klarinet Archive - Posting 000115.txt from 2010/12

From: "Dan Leeson" <>
Subj: [kl] The Stadler quintet nbeeds some rethinking
Date: Tue, 21 Dec 2010 10:31:35 -0500

This link will take you to a charming performance of the Mozart clarinet quintet, with the splendid Sabine Meyer on a basset clarinet (and with a great string quartet, too). But strangely -- I listened to all four movements and you can, too -- she plays no basset notes.

On one hand this is commendable because what she is saying is that she has not been convinced by any suggested alterations to the text so as to accommodate basset notes. Unlike, K. 622, the fact is that there has been only limited investigation of the text of K. 581 to propose the use of basset notes.

On the other hand, why then does she use a basset clarinet in A? Since the low notes (and if she played them I missed them) were not used, why not use a traditional clarinet in A? It may be that the greater length of her basset horn enables a timbre that she prefers even when not using that extra length to get basset notes. I always found that my B-flat and A clarinets (both of which had the low E-flat) produced a sound character that I found more interesting than my other clarinets that did not have the extension, so I can understand if that is her view.

The only suggestion that I would offer her -- as if she needs it -- is that she appears almost never to depart from the traditional text; i.e., she does not improvise, which means that she does not participate in the creative process, as an improvising performer would do. For example, in the minuet (which has four presentations of the main theme -- first time with repeats = 2 presentations, plus 2 da capos for another 2 times) the main theme is heard he same way every time. (And it can be argued that even in the da capos the main subject should be repeated, which means four additional presentations of the main subject for a total of 8 times. Did I count that correctly?) And in the slow movement -- which is an A-B-A form -- the final presentation of the A theme is unchanged.

While she is an exciting player, to be sure, she could really do that piece up flaming red if her presentation of the text were not so literal every time.

Dan Leeson
Klarinet mailing list
To do darn near anything to your subscription, go to:

     Copyright © Woodwind.Org, Inc. All Rights Reserved    Privacy Policy    Contact