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Klarinet Archive - Posting 000182.txt from 2005/07

From: "Vann Joe Turner" <>
Subj: [kl] reed-up embouchure and tonguing
Date: Sat, 16 Jul 2005 16:29:32 -0400

If Anton Stadler used the reed-up embouchure as was most common in his day,
then all the tonal entrances would have had to have been breath attacks.

Does it therefore follow that to most accurately reproduce what the work
sounded like when Stadler performed it, tongueing should not be used in any
place in the Mozart concerto?


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