Klarinet Archive - Posting 000343.txt from 2004/10 
From: "James McGlinchey" <jam62@-----.edu> Subj: RE: [kl] Interesting doubles Date: Mon, 11 Oct 2004 12:44:13 -0400
  The "Guys and Dolls" song I accompanied on a D tin whistle had no 
off-scale accidentals. It was scored in the key of D major, and did not 
deviate for the D major scale. Yes, being a clarinet play meant I had an 
initial hard time with breath control. I was all over the place for a 
few rehearsals, but got it under control. 
 
Jim McG. 
 
-----Original Message----- 
From: Jon Delorey [mailto:jon@-----.com]=20 
Sent: Saturday, October 09, 2004 9:51 AM 
To: klarinet@-----.org 
Subject: RE: [kl] Interesting doubles 
 
> Each whistle can play the major diatonic scale that begins with its 
> lowest note, and also it can sharp the 4th note (by half-holing) and 
the 
> 6th note (without half-holing). 
> 
> I don't know how many other chromatic notes are possible by 
appropriate 
> half-holing. 
> 
 
Tin whistles (AKA penny whistles or just plain Whistles) can play a full 
 
chromatic scale. =A0It requires both half holing as well as some = 
alternate 
 
fingerings. =A0 
 
> > Deadly serious question: was the tin whistle 
> > use within music? And if so, it would have to 
> > be pitched. So what pitches does a tin whistle 
> > come in? 
> 
 
I have whistles from a high G above the D whistle down to a D and octave 
below=20 
the D whistle. The D is the most common whistle and is an octave above=20 
concert pitch. =A0Most Irish music is in D or G. =A0Like a clarinet I = 
just 
learn=20 
one fingering and then transpose. =A0For instance, I play the C whistle 
like=20 
the D and just transpose up a tone when playing a C scale. This may 
sound a=20 
little convoluted, but familiar for a clarinetist. =A0I have 
G,F,Eb,D,C,Bb,G=20 
and low D whistles. =A0 
 
> All of the whistle music that I've seen (beginner books) is written in 
> either 1, 2 or 3 sharps. 
> 
As well as much of the "advanced" music, jigs, reels, etc. =A0I did = 
teach=20 
someone who is a pianist recently. =A0She did not read music but played = 
by 
ear. =A0 
She was playing eeverything from "Tequila" to (believe it or not) "The 
Rite=20 
of Spring". 
 
> Stronger breath pushes you up one octave. =A0 A clarinet player needs = 
to 
> fight against breathing too hard with a whistle. 
 
I always have to readjust after just playing the clarinet. =A0If I go = 
the 
other=20 
direction I also have trouble remebering which fingering to use for the 
lower=20 
register. =A0It is a little easier to go between the Saxophone and = 
Whistle 
in=20 
the same session. 
-Jon Delorey 
 
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