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Klarinet Archive - Posting 000529.txt from 2004/08

Subj: Re: [kl] The making of K. 581
Date: Wed, 18 Aug 2004 11:15:00 -0400

dnleeson wrote:

> The work was for Stadler. Stadler had the low notes.
> Why one earth write an alternative part? It made no
> sense to do so.

What's the situation with Clemenza di Tito as far as source material goes?
Isn't that the only Mozart work for basset clarinet where the source
definitively contains the basset notes?

(... with no "ossia", I imagine.)

Incidentally, how does Mozart write the basset notes in that work (and for
basset horn)? I would imagine he uses bass clef as in the Barenreiter and
Henle editions....?

-- Joe

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