Klarinet Archive - Posting 000547.txt from 2002/06 
From: Karona Poindexter <poindka@-----.net> Subj: Re: [kl] Beethoven "Clarinet" Concerto!!!??? Date: Mon, 17 Jun 2002 11:47:13 -0400
  When one of my students was learning the Mozart Clarinet Concerto, I 
advised her to get the Robert Marcellus recording, not knowing if it still 
existed.  (I seem to have lost my tape of this recording when I moved.) 
But she did find the recording at a records store and it was on a CD.  I 
really like this recording and really try to base my technique of the 
Concerto on this recording. 
 
On Sunday, June 16, 2002, at 05:51 AM, Bear Woodson wrote: 
 
> Hello, Klarinet List. 
> 
>     In the last 30 years I've owned and heard 
> many interpretations of the Mozart Clarinet 
> Concerto, but none that I owned were on CD. 
> (All my hundreds of LP's were lost years ago, 
> and my Mozart Clarinet cassettes are getting a 
> bit gritty.) 
> 
>     Therefore this last night I went looking to 
> get a copy of the Mozart Clarinet Concerto on 
> CD. I saw many famous ones, including the 
> Benny Goodman, Stolzman, and several others, 
> and settled on buying the David Shifrin, with 
> the Extended-Body Clarinet in A. I've heard it 
> on the radio years ago, but have never owned it 
> before. 
> 
>     But the thing that caught my attention was 
> the CD of the "Mozart and Beethoven Clarinet 
> Concertos" (!!!???), which is a transcription 
> of the Beethoven Violin Concerto. Beethoven 
> himself had transcribed it to be his Sixth Piano 
> Concerto, and did an even further unique thing 
> by using the Timpani with the Piano in the Ca- 
> denza of the First Movement! (There used to 
> be a nice recording of it my Daniel Baremboim.) 
> But the Clarinet Concerto Version is fairly new, 
> and I'm sure that some of you would know a 
> lot about it. I find the idea intriguing, but I can't 
> afford to buy it right now. 
> 
>     I will listen to my David Shifrin Mozart 
> Clarinet Concerto CD tomorrow, but I already 
> know it goes to the Low Written C. This begs 
> the questions: 
> 
>     1) Just how high does the Clarinet's Written 
> Range go in the MODERN Version of the 
> Mozart Clarinet Concerto? 
> 
>     2) And is the Highest Note in Mozart's 
> ORIGINAL Version of his Clarinet Concerto, 
> the same as it is in the Modern Version? (Is it 
> higher now in the Modern Version?) 
> 
>     A few months ago you guys had some VERY 
> interesting things to say about the ORIGINAL 
> Model of Clarinet that Stadler used! Apparently 
> it had a Bulbous Bell, and was some kind of 
> unique combination of a Heckle Clarinet and 
> Basset Horn. I never fully understood the details, 
> but it sounds like an interesting instrument. But 
> I was left with the impression that neither instru- 
> ment can go as high as the Modern Clarinet, 
> ergo my curiosity. 
> 
>     (Besides I'm writing my series of Clarinet 
> works now, and would also like to know how 
> high it is safe to write. I'm assuming the Con- 
> cert E, 3 Ledger Lines above the Treble Clef as 
> a safe ceiling, but it wouldn't hurt to write in 
> Ossia Passages.) 
> 
>     It seems to me that I heard a recording on the 
> radio, years ago, (I think by Stolzman), where 
> the soloist re-wrote the endings of the First and 
> Third Movements, to allow for Cadenzas. He 
> then wrote his own Cadenzas, and hit the HIGH 
> Written C, 5 Ledger Lines above the Treble 
> Clef! I look forward to more educational com- 
> ments, and thank you all in advance. 
> 
> 
>     Bear Woodson 
>     Composer in Tucson, Arizona, USA 
>     "Bear Woodson" <bearwoodson@-----.net> 
> 
> 
> 
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> 
> 
 
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