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Klarinet Archive - Posting 000810.txt from 2001/02

From: Roger Shilcock <roger.shilcock@-----.uk>
Subj: RE: [kl] gliss & portamento
Date: Wed, 21 Feb 2001 06:10:13 -0500

There are places in the clarinet parts for "La Boheme" (Puccini)
where the term "portando" is used. What do other people do here, please???
Yours,
Roger S.

In message <000001c09b8f$c93caf80$1bb41ecf@-----.org writes:
> Bill -
>
> My teacher called me on some sloppy fingering. I jokingly said that what he
> heard was "a portamento" which violinists and singers find quite attractive.
> For some reason, he didn't buy that.
>
> Gene N.
>
> -----Original Message-----
> From: William Wright [mailto:Bilwright@-----.net]
> Sent: Tuesday, February 20, 2001 5:35 PM
> To: klarinet@-----.org
> Subject: Re: [kl] gliss
>
> I feel sheepish about nit-picking, but perhaps this is the correct
> moment in the oft-repeated thread about gliss'ing to distinguish between
> glissando and portamento, which as I understand it require different
> techniques, and not all of the examples cited recently are true
> glissandos?
>
> Cheers,
> Bill
>
>
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--
............
For there's more enterprise
In walking naked.
-------------- W. B. Yeats ("A coat")

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